I think that I have come, at last, to a crossroads; a point of uncomfortable realisation. A crossroads which leads, in every direction, to a dead end and a realisation that I have finally reached the last page of my own, personal dictionary. I have come to the point where I have used – and abused – every word that was ever known to me. I have twisted and contorted them into myriad sentences and phrases until all meaning that they might have once held has been lost, all connection to anything other than themselves distorted. As I sent each one on its way, safely wrapped as it was, like a child in a winter coat, cosseted by others to which it bore no relation, I watched it drift away. I watched as they gathered and then dispersed high, high above my head, dipping behind the clouds, never to reappear.
And, eventually, as I reached my hand deep into myself to take hold of another random collection of letters, I found nothing between my fingers, nothing within my grasp. My fist was filled with the emptiness of silence, the silence of a stilling heart.
And then the empty words within my head, the final ones that would leave me, spelled out their message: there was no more to say.
‘Across the Square’ is a short story taken from the collection ‘The Candle Game’ which is available as both a paperback and an ebook.
I hope that you enjoy it.
‘Of course I love you,’ you had said, and, at that moment I had, without the need for rationalisation, believed you.
‘Of course I love you,’ you had continued. ‘It goes without saying.’
But, I thought, if it goes without saying, then why would it need to be said; and, if it were not said, if those words that tumbled around us like mid-winter snow, had not been spoken, then would their meaning still exist? If you had not said, ‘I love you,’ then how else would you have made your feelings known; and if actions really do speak louder than the words that they emulate, then what actions could possible convey the meaning implied by them?
As you had said, ‘it goes without saying,’ I began to wonder what other feelings there might have been that had gone unspoken and what other truths had never found their way out into the light. And, if there were words that you had never spoken, words that I was supposed to have some implicit understanding of, then what would be my reply? How, I wondered, might I have responded to the words that you had left unsaid; how might the reactions and responses that I may have made changed the course of the events that had brought us to this point in time? And what of the words themselves, flying unrestrained through the air – where might they find themselves?
I had already shared experiences that were unexplained, moments when words fell into my ears without reason; moments when my thoughts shifted from track to track, unsettled by emotions that had arrived unexpected and uninvited. I began to wonder whether the language that we shared cast a stain upon the atmosphere, floated like dust particles in the light until it settled in darkened corners, slowly and inexorably building its meaning.
I was starting to picture entire lives constructed from the discarded words of others. I feel like Strangers who met, sandwiched between the lost conversations of those who had previously passed that way.
‘I feel like I have known you forever,’ which, of course was true, because the words between them had belonged to others. How blissfully unaware they were, accepting with gratitude the silent sounds as they slipped like snakes along their aural canals, coiling themselves in comfort deep within the darkest recesses of foreign brains. Over time the words of someone else becoming indistinguishable from one’s own, until they escape the mouth, and find themselves once more borne upon the breeze.
We were sat on the Square, a wide, circular, well-grassed area, large enough to have once housed several post-war prefabricated buildings, but now defunct of purpose. The road that ringed us hummed with traffic as it arrived and then departed along the multitude of arms that connected the Square to the wider world. People criss-crossed the island, traversing its footpaths as they made short the work of moving from one shop to the next. They went about their business undisturbed by us as we sat in the Summer-warm grass, face to face, our fingers interlaced. I wanted to tell you every thought that entered my brain. I wanted you to feel every word that rattled through my head, but I knew that I would never let them go. Behind my eyes a new story had grown, developed from a few words into an entire novel. It had out-grown its opening and flowed into a mid-section crammed with description and action. Its plot held twists and turns, hope and disappointment, despair and success, and, finally, resolution. Like all good novels the story left scope for hope; a sense that the tale was not fully completed, leaving the reader with a glow of satisfaction at their own conclusion of it. I knew that no spoken words could ever accurately represent this images that I saw behind my eyes, but, despite my hope, I knew also that this was invisible to you.
I had seen my future in your eyes, and then left it to grow in your heart. I had always felt that without you it would fall apart, and, despite not feeling any shame, I was disappointed to realise that I had been wrong all along. Pages began to fall away from me and my resistance withered. I could sense new words starting to form themselves within my mind, replacing those that were now redundant, re-writing and editing the script even as I read it.
You stood up, hands outstretched, helping me to my feet. Your eyes were soft with a blend of sorrow and regret, but I knew that they masked a steely resolve. Mine reflected yours, except, for me, resolve was displaced by acceptance. I understood that behind your words was a meaning that, although perhaps neither of us wanted to accept, had been inevitable. I stood, holding your hands for a moment longer than was necessary and wondered why the prefabricated houses no longer stood where they once had. Perhaps they had merely been a metaphor for the relationship that we had shared – perhaps, once more, I was looking for meaning where there was none.
‘Of course I love you,’ you had said, and now those words, out at last into the blue, swallowed up a new resonance. They echoed now across the Square, a sense of sadness following them with a soft and whispered ‘but…’, a gentle sound that settled only momentarily on the ear. It swept over cars as they turned away along avenues that either led them home or severed them from the life that they wanted. It drifted on soundless wings through windows opened against the heat, tainting the warmth of the summer’s air. In distant kitchen women became stilled, knives held useless in their hands, half-sliced vegetables weeping water, as sudden thoughts of abandonment touched their minds. For the first time questions began to rise in their heads and tiny seeds of doubt or regret or mistrust began their search for a fertile ground in which to sink their roots. In teenage bedrooms darker music began to filter out across the Square, spreading melancholy and hopelessness – this was not to be the summer that had been longed for. A sense of despondency had begun to descend, spreading itself out like a blanket, smothering the shoots of youthful exuberance.
The action of an embrace, an embrace of farewell, no matter how amicably it was shared, was not enough to catch the words as they flew. It moved clumsily across the ground, stretching up and clawing desperately at the words as they drifted tantalisingly out of reach, before disappearing from sight with a mischievous wink. The embrace turned, defeated, but by the time it had we too had departed. For the last time I walked with you the streets that would lead you home, my words following me like fallen petals dying as they hit the ground behind me. I knew that they would guide me home once more, but I knew also that somehow my trust in them had died.
If some things truly went without saying, then why, I thought to myself as I crossed the Square one final time, should I be the one to give voice to them?
As promised here is the list of books to accompany ‘On Reading’ my post from Saturday.
I hope you got them all!
1. Wuthering Heights (Emily Bronte)
2. The Stranger (Albert Camus)
3. Crime and Punishment (Fyodor Dostoevsky)
4.The 39 Steps (John Buchan)
5. The Trial (Franz Kafka)
6. Alice's Adventures in Wonderland (Lewis Carrol)
7. Hard-Boiled Wonderland and The End of the World (Haruki Murakami)
8. The Vegetarian (Han Kang)
9. The Castle of Crossed Destinies (Italo Calvino)
10. Hotel de Dream (Emma Tennant)
Just a bit of silliness, really, (the versethat is, not reading itself without which…).
Points will be awarded for anyone who can recognise the books from the (sometimes slightly obscure) precis. There are ten points up for grabs…but no prizes other than self-satisfaction!
I lost myself
Between the sheets
Lived each page and
Every beat,
I was the lover on the moor
The killer on the shore,
Sat in a garret wracked with shame
Keeping secrets on a train,
A man on trial without a charge
The girl both small and large,
The man with shadow never seen
A woman turning green,
My stories told in Tarot cards
Where dreams collide and play,
I lost myself
Between the sheets,
And found myself
Within the words.
Answers (for those interested) on Monday.
I am delighted to announce that ‘The Beautiful Silence‘, my second collection of short stories is now available to purchase as an ebook at all good outlets for just £2.99!
Thank you in advance and I hope that you enjoy the stories.
‘The Beautiful Silence‘ is the second collection of short stories to be published by Chris Nelson. It contains sixteen stories with each one focused around the impact of one event on its central character: some may be fantastical, some introspective and yet more haunting and disturbing.
Just for a change (and in support of a few authors whose work I have been enjoying) I thought that I’d post a review a day for a week. Hopefully something might take your fancy!
‘Don’t Fear the Reaper’ is a well-paced, exciting and engaging mystery-thriller which takes the reader into a world of murky, dangerous and hidden government agencies. Original and skillfully written it is full of the grit that one might expect without the glamour that is so often portrayed elsewhere. Yes, there are several references made to cities more ‘associated’ with espionage and subversive activities such as Berlin, Prague and Vienna, but most of the action takes place in and around London and the (unassuming) South and South-East of England. And this results in the story being both more realistic and more relatable. An intriguing opening introduces the reader to the lead character who is, refreshingly, female. Astrid is a strong, but ultimately flawed, woman whose backstory is unveiled in a series of flashback memories. It is, indeed, these flaws that engage the reader and give her character depth and realism in what is (action aside) a very character-led story. The story itself is complex but not complicated and, as it progressed, I found myself being more and more drawn in by it. It is full of twists and turns (some of them unexpected) right up until its gripping conclusion, where the reader is left wanting more – fitting, really, as this is the first of a series of books featuring the protagonist. One feature of this book which I think French employs with particular success is the use of double narrative: the bulk of the writing carries the story in the third person, but a second narrator (the antagonist) tell events from their perspective which adds an extra level of interest. Oh, and did I mention the great musical references that run through the story? I would definitely recommend this book to anyone who enjoys not only thrillers and mystery stories but also readers with a penchant for stories featuring a strong female lead
Published in Gold Dust magazine, Literally Stories, Near to the Knuckle, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, and Shooter magazine.
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